DRAPER 89944 180PC VALUE HOME TOOL KIT
Draper Value, comprehensive all-round tool kit for home DIY and minor car maintenance. Kit is supplied in sturdy canvas carry bag size 300mm long x 230mm wide and 260mm tall with zip fastener. Sold loose.
-
Used Price: $9.41
Read more..
List Price: ?14.49
Amazon Price: ?14.49
Customer Review: Astonishing.
I was introduced to Tool by watching a video of ‘Sober’, which is not on this album (it’s on ‘Undertow’). There are countless bands who rely on video for TV networks in order to make the first impression and sell. Take the video away and you are often left with dehydrated formulaic rubbish. So you need to evaluate something audibly. Tool blew me away with their sheer audacity, power and talent in arrangement, musicianship, songwriting, innovation and intelligence. They are just an incredible band delivering intense powerful innovative music in a world of mediocre formulaic chaff. Check out the video’s for ‘Stinkfist’ and ‘Aenima’ on You Tube. Both will give you an insight into Tool’s awesome prowess.
Customer Review: An Intense Modern Classic
“Aenima” was a breathe of fresh air amidst a late 90’s mess of post-grunge dribble, arriving nu-metal fiascos and a host of supposedly alternative bands creating rather mundane and tired music. Tool swiped all of this mess aside with this sprawling 77-minute masterpiece. And yes, I do consider this album a masterpiece - one for the modern generation of rock and metal fans. Not since Pink Floyd’s mid 70’s heyday had a band created something with such thought-provoking intensity and fluid combination of technical ecstasy and outstanding, often complex, song writing. As a result, this album has become my most listened to, most appreciated and simply most adored album. To put this album into a bit of context - Tool had released one LP, 1993’s “Undertow”, and a short EP, 1992’s “Opiate”. While “Opiate” was fun and genuinely aggressive, it lacked decent song writing and was a bit one-dimensional. This was changed with “Undertow”, a brooding transitional album which saw the band fuse the raw aggression they had with a new sophisticated song writing approach, often drawing out song structures and adding a whole new level of musical complexity. The signs were there - the technical abilities were on display, structures were becoming more ambitious and intricate - so really, the makings of Aenima had already begun way before the band set out to create it. “Aenima” is for me the most mysterious Tool release. Their other albums, including this year’s “10,000 Days” release, all have more obvious themes and take less time to peel apart and decipher. “Aenima” has the oddest art and layout, all of it being very dark and cryptic, including a strange painting of Bill Hicks as a doctor, a neon purple man with his forehead open to reveal a glimmering third eye, and babies being chased by strange green beings. There is also a rant excerpt in the liner art discussing the dangers of “anaesthetic” states. It also gives meaning to the album’s title - being both a physical and mental experience. And this is a fair claim from the band. “Aenima” is both intensely thought provoking in its themes and messages, but also musically exhilarating, which translates into a wonderful physical experience. An experience which begins with one of the band’s most well known songs, the rocking “Stinkfist”. “All good albums have a song about anal sex” I have read Maynard James Keenan jokingly saying in an interview, and well, here is that tongue-in-cheek aspect of his character in song. While many attempt to come up with obscure and hidden meanings behind the lyrics, it is essentially to do with two people joining (anal sex or not), to help each other. Musically it is a great opener, with lots of catchy riffs from Adam Jones, complemented by Justin Chancellor’s bold bass tones, and all set off by the wizardry of the multi-limbed Danny Carey. The song has a rather straightforward verse/chorus beginning but this gives way to an excellent climatic finish, involving swift section changes and contrasting dynamics. “Eulogy” is the sound of the new evolved Tool. A long drawn-out introduction builds its way to a typically menacing MJK talk/whisper, then pummels into a barrage of fuzzy guitars and soaring vocals, instantly displaying the outstanding vocal range of Keenan. Through its 9 minute entirety the song weaves in and out of sections, themes and motifs, combining alternate time signatures, powerful confrontational vocals and flat-out rocking moments. This is the statement of the new Tool, and the wondrous styling does not cease hereafter. Instead of going through each individual song, and explaining aspects of it, I shall pick out my personal highlights, starting with “46&2″. This song was my initial favourite on the album due to its accessible structuring and extremely contagious bass riff. This song is really the shining point for the rhythm section, with English bassist Justin Chancellor creating the best riff of the album, and Carey almost stealing the show with his bewildering, seemingly off-time drum break that never crosses the border into technical masturbation as he keeps it concise, and fuses it with the song perfectly. The song also has an inspiring and uplifting theme to it, that of “stepping out of your shadow”, a philosophical idea created by Carl Jung - “the shadow is an unconscious complex that is defined as the repressed and suppressed aspects of the conscious self”. Here Keenan sings of shedding skin, stepping out of the shadow, ultimately evolving into a bettered being - portrayed both mentally but also physically with the evolution of gaining two extra chromosomes to make 46. The title track is another straightforward rocker, and again showcases a very catchy lead riff and the amazing vocal range of Keenan, sliding from laid-back melancholy to the spitting, visceral chorus lines attacking the poor social state of L.A. It is the most aggressive song on the album, and harkens back to the “Undertow” and “Opiate” days. For me the sheer excellence of this album comes in the two large pieces, “Pushit” and “Third Eye”. Thematically these two songs are very different, with “Pushit” looking at the struggles of personal relationships, and how one has to come to the decision to end a relationship if the situation is becoming out of control, while “Third Eye” comments on the utility of mind altering drugs as augmenting personal, artistic, cultural growth, development, and understanding of the nature of existence…opening one’s third eye. Musically though, these two songs are simply stunning, and the most ambitious works on the album. “Pushit” starts in a rather meandering fashion, with a less than inspired lead riff and chorus section. But the band does not let this continue for long, creating one of the most desolate and menacing bridges I have ever heard, with Keenan’s haunting whispers of “pushed me somewhere I don’t want to be”. This slowly and patiently builds into THE most exhilerating song climax I have ever experienced. The ending to this song still sends my hairs on end if I’m in the mood for it, even after hundreds of listens. It needs to be heard, simple as that. “Third Eye” follows a similar formula, with lots of weaving and subtle sections, all contrasting dynamics and themes, gradually building to a beautiful and monumental ending. Again musically describing this song is ultimately pointless as its structure is so vast and challenging, one simply has to sit down and experience it. These two songs especially need repeated listens as they are way too much to swallow first time. And this is really the theme for the rest of the album, it is a massive body of work, and will need a lot of dedicated time and effort to really unravel its beauty and power. Even today after listening to this hundreds of times through, I am still questioning notions, picking up new sounds, new themes. A truly epic piece of work, and a modern classic every fan of rock or metal should experience.
Read more..
Amy Mathews, the host of DIY network’s Bathroom Renovations, takes the intimidation out of restoration. Using projects adapted from the series, she provides a superbly organized, informative introduction that assesses the space and layout possibilities; reviews the range of styles and prices for cabinets, countertops, sinks, faucets, showers, tubs, fittings, walls, and floors; and covers design elements such as lighting, storage, and ventilation. Concise, illustrated instructions (peppered with lots of encouragement) provide the fundamental nuts and bolts of renovation techniques, from removing tubs and installing toilets to laying tile and restoring windows. Ten complete redos come with before, during, and after photography, and offer homeowners their choice of styles, time investment, and budget options. There’s something to appeal to every taste and need.
Amy Mathews honed her do-it-yourself skills with The Family Handyman magazine, where she did everything from outdoor repairs and projects to new product demonstrations. She currently hosts Bathroom Renovations on DIY Network, a show that covers everything from simple updates to luxurious “dream spas.” Everything involved in a bathroom makeover, from plumbing to counters, is tackled with style.
What to Do Each Month to Have a Beautiful Garden All Year. Take the guesswork out of gardening. The Month-by-Month Gardening Guides offer valuable advice on the proper timing of garden maintenance for each month. Use of the guide will take the fear and guesswork out of gardening, as well as provide an achievable plan for gardening success for beginners and experienced gardeners alike. A Month-by-Month Gardening Guide is available for each state or region.Published by Cool Springs Press.
This Super B Cotterless crank extractor is designed for removal of cycle cranks fitted to all types of bottom bracket axles including square tapered, ISIS & Shimano Octalink . Suitable for all alloy & steel cranks that use normal 22 mm extractor threads.
Amazon Price: ?15.97 
List Price: $16.95 